August was such a busy month that for September we decided to lay low and drink beer. The first beer event was the annual Belgian Beer Weekend, in the Grand Place. Jack was away that time the previous year, and I went by to check it out but the thought of drinking beer in such a public spot by myself just depressed me, and I left.

The fest seemed to be mostly about groups of frat boys getting their drunk on, as the beers were generally cheaper than you can find elsewhere. I think we managed to try a couple things we hadn't had before, so it all worked out. The house on the square owned by the brewers was open, so we took a tour of it (in French). It was really rather mundane inside--institutional carpeting everywhere, and a large, dull conference room overlooking the Place. The highlight was the collection of beer steins and taps they had on display, which were astonishing in their variety.

The next weekend was the Bruxellensis fest, a much smaller to-do featuring "characterful beers" from around the world. It was totally full of beer nerds--either wearing t-shirts describing the other nerdy events they had been to, or scanning the crowd for their nerdy friends. Some were even taking notes on their tastings. Not that there's anything wrong with that. We tried some lovely brews from Germany, England, Finland and the good ol' US of A. This one was held inside a former ice warehouse in the commune next to ours, so very convenient. The price per beer was about the same as the larger one, but this gathering was much less crowded and more convivial. And it came with a keeper glass.

The next weekend Jack was off to the US and I was primed to go to the Grape Fest in the town where one of his coworkers lived. Two municipalities on the outskirts of Brussels, Hoeilaart and Overijse, have a grape rivalry going on, each having their fest a few weeks apart from the other's. Although each town has a long history of grape production, neither uses theirs for wine-making, just table grapes. Over breakfast I was plotting my weekend's activities when I discovered that it was Brussels' weekend of open houses. This is when many private structures open their doors to the public, frequently offering tours. I saw that one place around the corner from us was offering a tour within the next 15 minutes, so I dashed out of the house like a wild woman, not bothering to make myself presentable or gather any necessary items.

People were already standing in line, and my chances of getting in were slim, but I kept my place and was one of the last ones to squeak by. Hotel Wielemans is an Art Deco gem in an area that is dominated by Art Nouveau (you can take a virtual tour at the website--the pictures are much better than my own). The stucco facade intrigued us, but it is owned by the Generali Company in the skyscraper next door and only open for private events. Originally the home of the beer baron Leon Wieleman, whose Art Deco brewery in a nearby commune has recently been turned into an art center, the interior was done in a southern Spanish style that had Moorish influences, with lots of terra cotta and hand-made tiles and white walls in the airy great room at the center of the house. The tour was in French, but I managed to note that the "lady's boudoir" on the first floor contained a prayer niche in a wall that was brought back from Spain. The actual bedroom, which was on the second floor, was completely covered in aluminum leaf, which I thought looked pretty cool. (The website says silver, but I'm almost positive the woman said aluminum on the tour; besides, wouldn't silver become tarnished?) The bathroom was notable in that it had an "American-style" tub and shower arrangement, which was apparently all the rage amongst the well-to-do in the 20s. It looked like a regular tub/shower to me. Funny to think that some of the most prosaic things in life were once modern and fashionable. There was probably some old codger still taking baths in a tin tub with water that was heated on a stove thinking "it'll all blow over soon."

After the visit I went back to our place to get all my ducks in a row for an afternoon of touring around. All thoughts of the grape fest were banished from my mind. My next stop was a house that was curiously built into a municipal park, having no neighbors on either side for the length of the block. It was the Pelgrim house, which has been owned by the St. Gilles commune for many years and showed obvious signs of municipal neglect. The park in the back apparently used to be the owner's back yard. It was obvious that the building had been very beautiful when it was a private home, but aside from the one room that was kept up and the peeling crimson wallpaper in the stairwell, it was virtually empty and very utilitarian.

Next it was across town to the Van Eetvelde residence by Horta. Also owned by a private company, I believe the open doors day is the only time the public can view it. The long line was intimidating and barely creeping along. They promised that they were conducting tours in English in addition to French and Dutch, but those who were waiting for English got left high and dry, since they kept getting passed over. This place was more about the amazing Art Nouveau architecture than anything else, and although I went on the French tour, I can't recollect anything that was said. Our guide was too polite to tell us more than once not to take pictures, and most people ignored her after a decent interval. None of the other groups were taking pictures. Towards the end of the tour a cop snapped at some people and got them to stop, but by then the damage was done and we had all stolen our fill of images.

The house was simply amazing. From the mosaic floors to the railings to the painted walls to the windows to the light fixtures to the stained glass dome--everything was Art Nouveau-y. Almost too much, if that's possible. It seemed like it didn't get much use these days, which is a shame, but I must say if I was attending a work function in one of the rooms I'd have to take in everything and digest it before I could pay attention, so perhaps it's for the best.

After that, I went to an old printshop that had been turned into a local art center. A bit different than the rest of the things I had seen that day, but pretty cool nonetheless, particularly since they had a wide range of printing presses from the last 150 years. Upstairs was a drawing studio where the class had pinned up their studies of hair. Most had concentrated on the model, but in the mix was a drawing of Leopold II's famous beard.

That was Saturday. Sunday was more of the same. I made it just in time for a tour (in French) of Tour and Taxis, the decaying but partially rehabbed old train yard we wandered around last year. It was two hours long. Many of the people were older, and it was long even for those of us who were more sprightly, so I'm sure some of them were hurting. The best part was that some of the old folks were long-time Brussels residents, and they corrected the tour guide (who was originally from Germany) when he made some inaccurate comments about the industrial past of the city. There was also a civil engineer in the group who spoke about the construction of wide-span roofs with no center supports. I learned that the cluster of skyscrapers north of the center of town is called "petit Manhattan". And that the biggest and second-biggest structures (in terms of the land they occupied) in the city were located on the site, both of which were former train depots. And other things too numerous to mention.

The good thing about all this touring is that, even though I didn't understand but a fraction of what was being said, it caused me to think outside of my normal rutted patterns of French interactions: ordering food, buying stuff, and giving directions. Someone mentioned a "pousse-cafe" in one of the lines I waited in, which I remembered vaguely from one of the various sources we use. I looked it up when I got home, and discovered that it is an informal way of saying "liqueur". When I first heard that phrase I assumed that no one actually said it, but now I know better. Learning!

(Our usual method of determining which phrases are actually used by normal people is to have Jack repeat it to the French woman at his office. He can usually tell just by looking at her facial expression whether it's a go or no-go.)

After edging out of the Tour and Taxis visit a few minutes early, I headed up in the direction of the royal residence to take in the Museum of Funerary Arts, another place that was not regularly open to the public. It was across the street from the Notre Dame du Laeken where the royal family members are buried. I rushed in about a half hour before closing and immediately acted like I didn't know any pertinent language, for fear that the guy at the front desk was telling people photos were not allowed. It was a small museum, dedicated to showcasing the work of 3 generations of sculptors from the Salu family, who had been making monuments for the Laeken cemetery for 100 years up until the 1980s and whose workshop it was. It was strangely frozen in time, as if the tools set aside for just a moment until another generation of Salus took up the hammer and chisel. I'm not really sure what the point of the place was, but we had peered in the windows with curiosity the times we had been in the area, so I'm glad I got an opportunity to check it out.

On the way to the tram stop I saw an African woman dressed in her Sunday best bent over in front of a mail slot in a door, alternately shouting in it and stabbing in it with a stick. What could have possibly been on the other side? At the tram stop itself, two children were trying to get into an apartment by pounding on the front door to the building and shouting up to the second floor windows to no avail, followed by the younger girl crying and the older boy playing with a soccer ball. An older relative eventually came down the street, soothed them and let them in.